Monday, 12 October 2015

Frank Bellamy - Sight Unseen

As any blogger will tell you it's great to get guests to write something, and I've been very fortunate in having my good friend David Jackson write the following.....
DAILY MIRROR (3 Jul 1972)  "The Gospel according to St. George" pp4-5
Nixon and McGovern

Some of Frank Bellamy's unseen work was created for publication but, for one reason or another, as has been listed and discussed on this site and elsewhere, never saw the light of day in its original form.

Referring to the early days of Frank's career, Nancy Bellamy said in Speakeasy #100:
 
"...Mind you, if they didn't like it, they would sling it back at him and he would sometimes do a piece one, two or three times over again until it suited them.  Of course, his name wasn't known then."


Editorial edicts were part of the job.

The Fantasy Advertiser Vol.3 No.50 interview included a question about the editorial directive to revamp 'Dan Dare' partway into Bellamy's year on the feature. Frank said: "I didn't like doing that. But it was a directive from upstairs - that's what they wanted, and you can only give the client what he wants, so that was it."

Previously, in 1959, Frank's first Dan Dare page (Vol.10 No.28) had resulted in Don Harley, unenviably, being called-in editorially to re-work FB's first drawing of Dan into something more like the Hampson studio style.

Eagle Vol 10:28 29 August 1959

Alistair Crompton, in his book 'The Man Who Drew Tomorrow' (p123), refers to FB's first Dare page:

"When Bellamy left the meeting, his work was passed quickly to Don Harley who was asked to re-draw the frame to make the space colonel himself again."

In a long after the fact off-the-cuff remembrance Don Harley in a published interview recalled that he had been "ordered to re-draw all of FB's Dan Dare faces", but the printed page in question apparently shows the first Dan Dare face only - note, not even the rest of Dare's head - as stylistically anything other than by Frank Bellamy.

Close examination of the printed EAGLE page gives indications of what may likely have been done to the FB original in the way of a Don Harley paste-over.

Close-up of the famed first panel

In the first / main frame, the 'right-hand half, as you look at it, of Dare's head from the ink-black, in artists' terms, 'shadow accent' (which runs fairly centrally up the cheek line) - ie the area containing Dan's ear, side to the back of his head, and shadowed purple with yellow reflected upwards from the fittings of the spacesuit - all appear to be Bellamy's as he originally presented it.

To the left, as you look at it, of the vertical of the shadow accent is Don Harley's Dan Dare face - ie Dare's features, chin etc, up to the boundary where the shadow accent changes from the slightly less black (muted by the over-paint of flesh colour of the face), cut or painted or pasted up to what is left as the abrupt edge of absolute black as FB inked it. (The sharp division seems apparent even in print on close inspection).

Despite this being discussed on occasion over the decades, the eventual fate of the original board remains an unanswered question. And reason enough to raise it again here now. The original has not, as so far ascertained, ever resurfaced since - let alone restored to be seen once again in the original state which FB had intended.

Bellamy's subsequent feelings can only be imagined. In that alone, the miracle is that he was not then entirely de-motivated and that his Dan Dare was then as good as it is.

Nixon and McGovern - as published in the Daily Mirror 3 July 1972

Another Bellamy piece which was never in print in its original form, although an amended version was published, was the political cartoon drawn for THE DAILY MIRROR (3rd July 1972) at the time of the Nixon - McGovern US election.

There are certain similarities in the 'oriental style' dragon form with FB's 'Lord of The Dragons' one-off vignette. This appeared in the book 'Once Upon A Time'. [see below]

The double-page drawing depicts Richard Nixon as the 'dragon' at the point of 'St' George McGovern's lance. In the published version, a fairly restrained cartoon portrait of Nixon topped a decidedly reptilian dragon body.

As Frank's son David subsequently disclosed, the MIRROR felt the drawing in its original form - simply from its inspired realisation as commissioned, rather than out of any intentional political point of view - made Richard Nixon in dragon form look so bad in comparison to McGovern that it could be seen as less than even-handed. Hence the re-drawing of Nixon's head as a human portrait to mitigate this perceived imbalance. Political impartiality's gain was the Frank Bellamy fan's loss..!

Again the condition and whereabouts of the original work is uncertain. It is possible that the whole piece was completely redrawn but it may be more probable, as the original would be delivered to meet a newspaper deadline, that the replacement head was a paste-over. The saving grace in this instance being that it was at least re-drawn by Frank himself.

Nevertheless, having first given the job his best shot, he must have felt some degree of disappointment that the readers would never get to appreciate it. Added to which there is also the sense that anyone seeing only the printed version would assume that this was the artist's definitive rendering of the subject - that this was his 'best shot'.

It was again the printed version rather than the unseen original version which is reproduced with the definitive FB interview in Fantasy Advertiser Vol.3 No.50.

So what might the original unseen version have actually looked like?

The printed version does hold some clues...

Even without the information which surfaced years later that this was an amended re-work, the 'balance' and the 'use of space' of the published piece appeared not to have been used to maximum advantage, which was decidedly, and at the time seemingly inexplicably, un-Bellamy.

The head of Nixon and the un-utilised space to the right of it, never came across quite as a balanced total design as would have been expected in a Bellamy.

The explanation for that came when it became known that Nixon's caricature had been originally envisioned in the form of a dragon's head in keeping with and unified with the dragon body.

The depiction of the horse is telling. It is a very particular gesture movement from the animal - St George's charger is not just charging forward - it is reacting by rearing away to one side.

The lighting of the horse's neck to the left of the shadow accent is depicted with FB's characteristic 'scribble tonal' intentionally indicating reflected light.

This reflected light, together with the horse's reaction of rearing away from the vacant space between itself and the dragon, would tend to indicate that the Nixon dragon may have been originally looking back towards St George and spouting flames... Whatever the case, a reappearance of either work, as envisioned above or otherwise, would be a long-awaited welcome return to the fold..!

"Lord of the Dragons" from
Once Upon a Time
Contributed by David Jackson, artist on 'The Mummy' in Dez Skinn's Halls of Horror, House of Hammer; and Warrior where he illustrated among others 'Shandor, Demon Stalker' and a couple of painted covers. Other comics include early pop-biographies (Prince, 5 Star, Bob Geldof) for Look-In; and James Bond: Shattered Helix for Dark Horse. Science fiction paperback covers include James White's The Aliens Among Us, Ian Watson's God's World, Harlan Ellison's The Time of the Eye and illustrating Arthur C Clarke for Omni magazine.

Thursday, 8 October 2015

Frank Bellamy and GQ Magazine and Turnbull & Asser

Taken from Turnbull & Asser website

I recently mentioned that some expensive clothes were showing Bellamy artwork and here's another article, care of GQ Magazine. To quote GQ:

For the anniversary, the 130-year-old British brand is releasing a series of pocket squares and ties all featuring the vehicles of the famous disaster-preventing family. Each of the silk squares not only features the outline of each of the vehicle's repeated in a kaleidoscopic pattern, but is colour co-ordinated to its paint job (for example, Thunderbird 2 is green, Thunderbird 3 is red and Lady Penelope's Rolls-Royce is pink).

More important to me is that one of the 12 designs has Frank Bellamy artwork

Turnbull & Asser Pocket Squares

Turnbull & Asser Pocket Squares

Turnbull & Asser Pocket Squares

 The ties on the other hand feature an homage to the programme's resident neckwear master, Brains, with a pattern featuring his trademark bow tie and glasses (as well as a lining printed with a comic strip from the cartoon drawn to accompany the series back in the 1960s).
Superfans can get their hands on them right now online, or even better, via a visit to Turbull & Asser's impressive new outpost in London's Mayfair.

Turnbull & Asser Tie
Apparently Turnbull & Asser have the Royal Warrant as "shirtmaker to the world's most eminent gentlemen since 1885." The square's full specifications are:
  • 100% pure silk
  • 16 1/2" x 16 1/2" (42cm x 42cm)
  • Hand Printed
  • Hand Rolled Hem
  • Made in England
and the thing you need to know is they cost £80! There appear to be 12 pocket square designs and 4 ties. The ties (£125) have a lining using the same Frank Bellamy artwork as the squares which comes from TV21 #155 from the story "Heart of the iceberg".

Click for full range
The full episode is reproduced below for your pleasure and if anyone at Turnbull & Asser wish to donate any to me for this free publicity, I'm more than happy to receive them (I'm such a tart, as my eldest brother tells me!)

TV21 #155

TV21 #155

Wednesday, 7 October 2015

Original Art - Thunderbirds

I noticed that Illustration Art Gallery have added a Bellamy to their original art which is for sale.

It looks to be in very good condition

Thunderbirds from TV21 #206


It's selling for Price: £1,750.00 / $2,625.00 / €2.275,00 to quote them

Just for your enjoyment here are the two pages published back in December 1968. Interestingly the original shows a different colour in the second panel. I don't have access to my copy of the comic to check this isn't just an aberration in scanning the page, but must confess I prefer the original. I see that in 2010 the second page sold for £2420 (including buyer's premium) so this looks like a bargain!

Note the pink!



Monday, 5 October 2015

Original Art sold - Garth: Bride of Jenghiz Khan


PLEASE someone tell me how eBay searches work! I'm a librarian who believes he knows how to search for information. Damn it! I've taught the subject, but eBay, you drive me so mad, I'm giving up!

I was talking to a work colleague and used "Frank Bellamy" as an example search on eBay and what do I see? A Garth has recently sold that did not come up in any alerts that I receive daily!!

Sorry! I am fed up with eBay. Anyway in order to keep a record of what I do find....

The Daily Mirror published the Garth story "Bride of Jenghiz Khan" between 28 September 1974 - 14 January 1975 (#H228-J11) and the piece that came up for auction was strip #J1

Garth: "Bride of Jenghiz Khan" J1


The seller added this description:

An original Frank Bellamy Garth strip from a non smoking household. The front is dated in pencil "Wed-Thurs 2-1-75" which would have been the publication date. The reverse is stamped with the Daily Mirror copyright and the date 197 XII 12 16:14 It is on CS10 Line Board. The first cell has the letters "J.1" corrected as paper overlay (presumably January 1st as underneath the lettering is indistinct but ends "07" The first speech bubble has been corrected with paper overlay "MUST FIND SOME WEAPONS" The third speech bubble has been corrected with paper overlay "CRYSTAL SKY -" The overall dimensions are approximately 21 3/8ths inch by 6 7/8 inches 54.3cms x 17.3cms

SUMMARY
WHERE?: eBay
SELLER: yelmalio123
STARTING BID: £50.00
ENDING PRICE: £181.10
END DATE: 3 October 2015
No of bids: 10
No of bidders: 4

Friday, 25 September 2015

Ghost Town reprinted .....again!

Thanks to Ant Jones (of the Garth-Comic Strip Facebook page), I am now aware that Frank Bellamy's art is back in the Daily Mirror newspaper available nationally as of today.

I haven't bought the paper since the last reprint of Bellamy's work, which was "The Manhunt" story completed by Martin Asbury back in the 70s when Bellamy died and reprinted in the Daily Mirror last year. If it's reprinted on the usual Monday to Saturday routine, "Ghost Town" should end around Monday 9th November, (mirroring - sorry! - its original reprinting in the paper between 24 September 2011 and 8 November 2011).

It's interesting that the Mirror has decided to reprint a story so soon - especially as we haven't yet seen "Freak out to fear" reprinted at all in the Daily Mirror

I have scanned the whole page of strips below (hoping the Mirror won't sue me) as I was very impressed with the look of them now. They appeared to me to be nicely coloured and well reproduced (and I'm not saying this to avoid a lawsuit!). However.....


Daily Mirror 2015 September 25 p.38
However, I looked at the credits for the strip and realised that someone has, er, um, got something wrong. I don't know if I should be so rude to point it out as it's great the author of the tale is getting a credit as well as Bellamy and Martin Baines, the colourist. If Jim Edgar were still with us, I don't know if he'd laugh or get angry, but I thought it sad no-one checked his forename and his surname.



In the previous reprint of this story only Martin and Frank got credits, so well done Daily Mirror. The fact that John Allard doesn't get credited is not surprising as even Bellamy was confused what his role on the strip was at this time!

I recently found a 24 May 1961 copy of the Daily Mirror under some underlay. Take a look



Monday, 7 September 2015

Frank Bellamy and Bob Monkhouse

I apologise for the delay in posting recently (I missed my once-a-month target last month) this is due to re-plastering and the need to put everything into self-storage to protect it from the dust.  I have identified what I can below but not exact numbers, if you need to know let me know and on un-packing I shall pin the issues down.

Alan Burrows kindly forwarded these pictures he received from the late Bob Monkhouse from his extensive Frank Bellamy collection. He forwarded them to my FB Facebook page and I thought maybe some people here may not be on Facebook, so here for your pleasure is Mr Frank Bellamy.

Bob appeared to be a really amiable guy - just look at the drawing on the envelope he sent Alan. People forget he started out as a comic artist, because his later career as a comedian and quiz show host was so successful.

Bob Monkhouse cartoon for Alan Burrows




Fantasy piece by Frank Bellamy
On the websitelisting I labelled this "Fantasy piece" and put it under Unpublished material . Does anyone know any different? Was it published? I love the skull mountain and the usual Bellamy device of a man pointing out of the frame!
Heros the Spartan from Eagle

Heros the Spartan from Eagle

Heros the Spartan from Eagle

Life study by Frank Bellamy

Lord of the Dragons - published in Once upon a time
 This was published in Bellamy's lifetime in a book called Once upon a time (along with and the book is available via the usual channels and not too rare or expensive. I listed it in my Articles on Frank Bellamy section
Thunderbirds from TV21 #138
From the Thunderbirds story "Space Mirror" which ran in TV Century 21#137 - 140

 It's well known that Bellamy, before taking on a strip, would provide the editors of comics with a sheet of designs. These would show his vision of the characters he would be drawing. However two have lawys puzzled me as they seem very specific

Below we see Dan Dare, Fraser of Africa and Thunderbirds and bear in mind these are photocopies of negatives, or older photocopies so this is all we have as a record, until someone scans the artwork.

Dan Dare operational uniform

Dan Dare Space Fleet  uniform

Fraser of Africa

I have seen the next two before but not the inscription which explains why we have these pieces. In TV21 issues 93-98 Don Harley took over my favourite story from Bellamy while he took a break to produce the Avengers TV series episode "The Winged Avenger". So it looks as if Bellamy drew a character sheet for Alan Tracy and Brains in their spacesuits which Harley could follow. He could have just done a photo but we have to remember that this sort of reproduction process took longer than we do now, where phones, scanners and iPads are available to take instant photos for sharing!
"Frank Bellamy 'visual' given to Don Harley for Thunderbirds

Alan Tracy and Brains from Thunderbirds
I'll save the others for another day as I'd like to do some research in my comics but that will have to wait for my unpacking. Many thanks to the very generous Alan Burrows for sharing this wonderful collection of reference material

Saturday, 15 August 2015

Frank Bellamy "Life Study" art for auction

UPDATE: Now for auction on eBay, starting at 99p!

This is just a quick note to mention Andrew Urquhart has alerted me to the fact that a 'life study' by Frank Bellamy is up for auction. There are many of these out there as Nancy Bellamy sold several of her husband's studies after his death but it's nice to see others.

Life study by Frank Bellamy

I have written about these previously here and fully expect many others to surface over time. How much are they worth? That's a difficult question, I'll enter the end price below as soon as a I learn what it is.


SUMMARY

  • WHERE?: eBay
  • SELLER:  postmanag2001
  • STARTING PRICE:£0.99
  • ENDING PRICE:  £46.99
  • END DATE: SEPTEMBER 13  2015
  • No of bids:5
==================================

Wednesday, 5 August 2015

Frank Bellamy is still being published!

Look closely!

Over on my newly renamed Frank Bellamy Artwork Facebook page I often throw links to Bellamy I've found,  or recent news stories I don't think worth adding an article here about. But today I'm inspired to draw several threads (bad pun) together.

A young Paul Merton lookalike?

John Freeman and Jonathan Wyke alerted me to the fact that Bellamy jumpers (and scarves gentlemen!) are now available. But watch your bank account before hitting that Pay button! I'd love to know why Lou Dalton printed them in black and white and not colour.

Scarves

For some great images (and an appreciation of Thunderbirds) see Nick Carvell, the Fashion Editor of GQ.co.uk page. I'm still amazed that people who produce Bellamy materials don't send me free copies to promote their products but maybe it's because I do it anyway! I won't be buying the jumpers or the scarves, as they cost quite a bit, the jumpers, £250 and the scarves, £120.They are available to buy exclusively online at Lou Dalton for obsessive fans!

Both products are in three colours: bottle green, dirty pink (!) and white and they suggest you could wear them with their neoprene funnel neck blouson (see image at top of this article). Personally that image doesn't work for me with the Parthal's plane shooting downwards.But my family will tell you I know nothing about fashion! My eldest daughter tells me off if she thinks I should buy a new 'going-out' shirt! Anyway I apologise for not crediting the photographer as I couldn't find his/her name. As Jonathan points out they didn't credit Frank Bellamy either!

Thunderbirds duvet with Bellamy artwork

Moving swiftly on there's also a duvet cover using Bellamy's artwork which is a lot cheaper at £29 (and I hesitate to ask my wife to sew two singles together!). For those who need to know, the Thunderbirds Single Duvet Set includes one duvet cover and one pillow case made of polycotton and is machine washable and is available easily online from Isme and sister site Very.This reminded me that I saw something by Bellamy previously used as a duvet cover and after asking on Facebook, Shaqui came back with one of his 'Easter eggs' from his wonderful site:


If anyone has a copy - or a photo - Shaqui and I would love to see it. It was being sold by Undercover of Deer Park, Gnosall, Staffordshire in 1992.

This of course brings us back to the clothing line above which uses Bellamy's designs from the story that appeared in TV Century 21 #141 - 146 (30 September 2067 - 4 November 2067), "The Earthquake Maker" written, we believe by Scott Goodall. The story is about a man called Parthal who creates eathquakes!


As you've stayed this long you deserve to see the printed story from which some of the above artwork originates.

TV21 #146 Art by Frank Bellamy

TV21 #146 Art by Frank Bellamy

And finally back to books. Lew Stringer spotted that a second volume of Thunderbirds the classic comic collection is due in November. Amazon has some details Thunderbirds The Comic Collection Volume 2.  The cover looks to be by Graham Bleathman and the details are somewhat thin, (witnessed by the following, "Warning: Not suitable for children under 3 years. For use under adult supervision") so I'll add more when they become a bit clearer, but the blurb sounds promising:
 Fifty years after Thunderbirds first blasted off onto British TV, discover the comic strips that captured the thrill and excitement of the cult TV series in spectacular style. This dazzling collection features the first twelve comic strips illustrated by the legendary Frank Bellamy originally published in the 1960’s.
  
Due in November 2015

  • Hardcover: 224 pages
  • Publisher: Egmont (5 Nov. 2015)
  • Language: English
  • ISBN-10: 1405279214
  • ISBN-13: 978-1405279215
  • Product Dimensions: 21.6 x 2.4 x 28 cm

Tuesday, 28 July 2015

Frank Bellamy, Frank Norman and Insideout

In two previous posts we looked at some of Frank Bellamy's Sunday Times Colour Magazine work on horse racing and the nuclear bomb. Today I want to look at the issue dated 16th November 1969. The title of the double page spread is "Playwright's Progress" by Frank Norman. The contents page titles it "Playwright's Progress: three frustrating years in the life of a play and the man trying to get it produced". Bellamy referred to it as his "Royal Court" piece in the Dez Skinn/ Dave Gibbon interview.

The issue's cover features Carol Lynley, actress, posing for the feature "Playground of the stars: Malibu Beach", the colour magazine using its colour features well!

Cover showing Carol Lynley
We want to concentrate on Frank Norman's article which begins with the two page spread by Frank Bellamy. I thought the contracts must have been photographed and inserted into blank spaces left by the artist, but the original art - I've seen a scan of it - has all the letters and contracts on it! This piece features portraits of various theatre creative people such as Dame Peggy Ashcroft, Peter Hall, Lindsay Anderson, William Gaskill, John Boulton and Joan Littlewood. Can you spot any others such as the woman with Anderson or Tynan's dinner guests? And are we supposed to see Anderson directing Norman to "build up the part of the assistant governor"? This is odd as Ken Campbell directed the play and portraits of him online don't match in my opinion and it looks more like Anderson (whose credits do not include Insideout) but who was at the Royal Court at that time.

Sunday Times 16 November 1969 pp54-55
John Frank Norman - to give him his full name - had a biography on the now expired website The Goldonian which included his Dr. Barnardo's record, which I have edited down here:

JOHN FRANK NORMAN. (Illegitimate) Admitted 24.3.I937.
BORN: 9.6.I930 at I55 Whiteladies Road, Bristol.
BAPTIZED: C.of E. No particulars. Mother C.of E.
LAST SIX MONTHS ADDRESS: c/o Mrs A. Prittlewell, Southend-on-Sea.
LAST SCHOOL ATTENDED: Barnes Private School, Church Road, Barnes.


[...]

When our officer called, the conditions in applicants home were not at all good, and it was reported that John should not be allowed to remain there a day longer than necessary. John is a weak-looking child, and mentally backward, but he has never had a chance, being pushed about from pillar to post. At school he was said to be quite docile and friendly. The putative father should be persuaded to contribute regularly towards John's maintenance.

Sunday Times 16 November 1969 p.54
The biography on the defunct site has been adapted in the Wikipedia page. In 1957 aged 27 Frank Norman had started writing what was to become one of his best known books Bang to Rights. Within a year of his release from prison (the topic of his autobiographical work), he was published in Encounter magazine  - a 10,000 word extract from his prison memoir. Championed at first by the editor of the magazine Stephen Spender, and subsequently by Raymond Chandler who wrote the foreword to Bang to Rights, The book took two years to write and be published. Frank Norman is perhaps more famous for his work with Lionel Bart creating the musical "Fings Ain't wot they used t'be". Peter Roberts, writing about the musical for "Plays and Players" magazine (March 1960) states:

There is no glossary of terms used by Mr. Norman's low-life characters, which I would have thought indispensable to all except those who have either recently returned from one of Her Majesty's prisons or who have just read an account of the life lead therein in one of Mr. Norman's two books advertised in the same programme

Insideout which is the play written about in this Sunday Times article, is a prison play about Tommie White on his first term in prison and how prison does little to change his ways when he is later released. Norman felt strongly about the topic of prison, writing a letter to the Times about overcrowding (Frank Norman. "Overcrowded Prisons." Times [London, England] 9 Dec. 1969). On Saturday 20 December 1969 the last advert appears stating the play, Insideout directed by Ken Campbell is running for its last week.

Sunday Times 16 November 1969 p.54 - Contract

Sunday Times 16 November 1969 p.55
The original Sloane Square playhouse the "Royal Court Theatre" stood on the opposite side of the square to the current one. The original was flattened in a road widening scheme. The new theatre staged ten of George Bernard Shaw's plays between 1904 and 1907 and became a cinema in 1932 and remained derelict after the bombings of the Second World War until 1952. Under the artistic director George Devine, the company produced controversial new plays from John Osborne ("Look back in anger" is behind Bill Gaskill in Bellamy's illustration on page 55!), and Arnold Wesker.

Sunday Times 16 November 1969 p.55 - Peter Hall rejection letter
Frank Norman states at the end of his piece, "Insideout opens on November 26 and runs for four weeks" and as an interesting addition, Bellamy was obviously not shown the poster that would be used as he invents his own form of lettering as the poster in the last panel. If you want to read the complete text of the play, it apparently appears in full in "Plays and Players" magazine February 1970. I wonder if Bellamy got to see the play? He was paid £175 for his work so could easily afford a ticket! And I also wonder whether anyone sued - although I did search I couldn't find any evidence!

Tuesday, 23 June 2015

Frank Bellamy and Monty Carstairs


UPDATED 5 Aug 2015- see below
I suspect a lot of people have never seen much of the "Monty Carstairs" strip in the Mickey Mouse Weekly  and I love the 'controlled' nature of Bellamy's early work. As listed on the website Bellamy drew "Monty Carstairs" from 25 July 1953 till 26 June 1954. he drew four stories, outlined below. From the first episode he had the full page but from 12 December 1953 to the end of his run Bellamy loses a sixth of the page to a comic strip cartoon. All his art is linework in black and white ink. The other strips in the comic in black and white are interesting to compare to as even here, Bellamy's earliest regular comic strip job, he tries to break the panel boundaries in his artwork.

Before we get to Bellamy's work I thought you might like to see some of the rest of the comic to give you a bit of context.

Mickey Mouse Weekly 13 Feb 1954 - Cover

The cover of this randomly selected issue (of the few I own) is taken up with the popular and iconic "Mickey Mouse" which makes sense.

Mickey Mouse Weekly 13 Feb 1954 pp2-3
We then have "Donald Duck"; "The Misadventures of Goofy" and on the opposite page "Billy Brave and his friends" (the latter drawn by Tony Weare)
Mickey Mouse Weekly 13 Feb 1954 p4
Frank Bellamy's artwork for "Monty Carstairs in the 'Mystery of the Black Pearls'" takes up most of the page with Smith's "Prinny" in the bottom sixth of the page. In this example Bellamy sticks to the common layout within Mickey Mouse Weekly (MMW) but still manages to differentiate nicely the day from night and leaves us with a visual cliff-hanger

Mickey Mouse Weekly 13 Feb 1954 p5
One of Malcolm Saville's Lone Pine novels is serialised here "Seven White Gates" with illustration by F. Stocks May and the feature "Mickey Mouse Jungle Club" appears below
Mickey Mouse Weekly 13 Feb 1954 pp6-7
The double page spread on pages 6-7 has "Walrus and the Carpenter" (from the 1951 film "Alice in Wonderland"), "Walt Disney's True Life Adventures: Olympic Elk", "Jaq and Gus" (from Cinderella), "Mad Hatter and the March Hare" and finally "Snow White and the Seven Dwarfs". You can read my previous article on the True Life Adventures here
Mickey Mouse Weekly 13 Feb 1954 p8
Page 8 gives us "Marney's Circus in 'South Seas Island Adventure'" and "Popsy" by Davis.

Mickey Mouse Weekly 13 Feb 1954 p9
"Whitey and the Killer Whales" featuring 'Willie the operatic whale' from the 1946 cartoon The Whale Who Wanted To Sing At the Met, is next famous from the film Make Mine Music.

Page 10 featured "Robin Alone" (which I have seen credited to Tony Weare, Bill Lacey and 'Unknown' - I'll vote for the latter for this particular episode and Lacey for many others I've seen! - however David Slinn has identified this as Bill Lacey - see below and he credits my 'unknown' artist as Edward Osmond) and Donald Duck's nephews "Huey, Dewey, and Louie"appear at the bottom of the page
Mickey Mouse Weekly 13 Feb 1954 p10
Page 11 stars "Peter Pan in 'The Secret of Joshua Slogg'" and "Jimmy and the little old engine" drawn by the well-known (in UK comics) Neville Main and I see that he is credited when some of these strips were published in 1954 by Brockhampton Press.

Mickey Mouse Weekly 13 Feb 1954 p11

Page 12, the back cover, has a strip adaptation of Disney's film "Rob Roy" which premièred  26 October 1953 in the UK drawn by Patrick Williams (thanks David Slinn for the identification).

Mickey Mouse Weekly 13 Feb 1954 p12

Now let's get to Bellamy's art in "Monty Carstairs". The artwork is lovely and clear (if not in my photos, forgive me!) and it doesn't take long for Bellamy to experiment - strictly in the constraints of 5 or 6 row strip

MONTY CARSTAIRS

As far as I can see Monty Carstairs started some time just before April 1951 and was drawn by Cecil Orr, I think. (Issues I've seen in 1949 and up to December 1950 do not have Monty Carstairs). The excellent Inducks database says 25 August 1951 (unless I have misinterpreted and they mean the start of that particular story "The Green Dolphin"?). eBay searches show it's likely this might be the case as I have found "Red for Danger!", a Monty Carstairs Special agent cartoon serial story" mentioned for the issue dated 7 (and 24) April 1951. According the same eBay seller 7 July 1951 has the story "The Prisoner of the Chateau". Details are so sketchy for this series, if you can help I don't mind changing this.

The monocled Carstairs appears to be a common fictional device in the mould of Lord Peter Wimsey, who also wore a monocle and was the detective character created in 1923 by Dorothy L. Sayers.

1) The Secret of the Sands story has "the famous detective", "the prince of private investigators", "the gentleman adventurer" Monty Carstairs visiting Sandypoint Cove, Cornwall, where Tony and Mary Peers discover a German u-boat and some men who are up to no good!  We learn that Carstairs' bowler-hatted "Siamese servant" is called Mr. San, which could be translated from the Japanese as "Mr. Mr." - but kids were not so sophisticated back then and are likely not to have noticed this slight discrepancy!


 In the third row (above) we see Bellamy beginning to stretch himself and show something different.

I'm not suprised this is the page often reproduced as the villain looms large in intimidating the boy, especially with those thick lenses in his spectacles.

The second row here shows a telephone conversation - the pictures angled to add emphasising the device

2) The Mystery of the Musical Box has Sally Rogers and her twin cousins David & John visiting their Aunt Sophie's eponymous antique shop in Waterberry. But the story also involves an actual musical box too as the group solve the mystery of a missing painting

 
In this interesting page we see Bellamy's competent handling of architecture, internal and external. I wouldn't be surprised if the two buildings shown are somewhere around Kettering, his home town, - ask me sometime about the pub in Bellamy's Garth strip. I love the angles in this page too.

The middle panel here showing the car driving through a town, may not be perfect perspective but the houses look so interesting with a castle behind



I've blown up the panel that I love, with the description "beneath the starry sky that night..." we see the light of the moon shining in by virtue of the stark shadows and again detailing that makes the image so impressive.
3) The Mystery of the Black Pearls is the first story where Bellamy condenses the title to one panel (not the whole row as previously) in order to make room for the cartoon strip "Prinny" below. Joe is the orphaned nephew of Mr & Mrs Muggins (!) who own "The Shifted Anchor" pub. Joe, and a friend he makes, called Ann, help Carstairs solve the mystery.

Notice the third row and second panel above, where Bellamy, not uniquely, abandons the formal frame.In the example below he extends the last two panels across the usually 3 or 4 framed rows

Mickey Mouse Weekly 1954 February 13, p4

4) The Men from the East is unusual as it has a very grown-up theme, a missing British offical in Tibet and no children take part! I found the art to be rushed and not very exciting as it's set in Tibet there are lots of mountainous rocky outcrops which Bellamy was so adept at drawing but don't make for a great story. I think his mind was elsewhere at this point.

Strangely on 10 September 1954 the final story illustrated by Bellamy began its appearance in The Sydney Morning Herald and one part is available from the Sunday 26 December 1954 edition thanks to the excellent TROVE website. Can any of my Antipodean friends tell me more?

UPDATE from David Slinn (August 2015):
The most recent piece, covering the 1954 Mickey Mouse Weekly and your particularly detailed look at ‘Monty Carstairs’, was especially enlightening. Noting with interest, the resulting comments about how far ahead of “the field” he was, it does seem slightly puzzling this was Frank’s first major venture with a weekly strip. My theory, no more than that, is the post-war page-rates for adventure strips being pretty dire at the Amalgamated Press, and even more abysmal in Dundee, Odhams Press actually had – by comparison – a very generous scale of fees. Only when the Hulton Press entered the children’s market, was there anywhere else he could have earned, relative to magazine and advertising illustration, what he (or International Artists?) would consider – for the standards of artwork Frank strove to attain – a satisfactory living.

I’ve always regretted [despite, parental pressures on tidying-up, actually being responsible?] no longer having the issues of Mickey Mouse Weekly, sparsely purchased out of limited pocket-money, along with very early copies of Eagle.

I’ve a clear recollection of the first ‘Billy Brave’ story, starting in October 1950, when the Odhams’ title was enlarged and extensively revamped, to compete with Hulton’s phenomenal success. Billy’s hero was Stanley Matthews and the original story, drawn by Tony Weare, revolved around the frail youngster’s soccer ambitions, which were still apparently being pursued in February 1954. Briefly here: I’d say the ‘Robin Alone’ episode (though, it goes out of focus if enlarged) is Bill Lacey; as you mention, Tony Weare did draw some of the earlier series, while I’m fairly certain your probable “unknown”, was Edward Osmond – even, if it seems unlikely. The ‘Marney’s Circus’ adventure, has the look of being Tony Weare’s artwork, and therefore a reprint – which, over the years, particularly with ‘Robin Alone’, Odhams weren’t averse to utilising. ‘Popsy’ is the Roy Davis, of later prolific cartoon output and, while it obviously puzzled you, the ‘Rob Roy’ adaptation is none other than, Patrick Williams.